We (Songs from The Blue House) did a pop show the other day at The High Barn in Great Bardfield, which is where we originally turned up some years ago to do a set at their beer festival, the fee for which we negotiated down to a day's recording at which we did a version of "(Don't Fear) The Reaper". This set in motion many trains of endeavour, not least the one which lead to us featuring in The Word Magazine as a bunch of Rock Dads (I've gone on about this at length before many, many times) which in turn meant that our friend James Kindred, who we'd corralled at short notice to do the accompanying photo for us, got sent a press pass to the Latitude Festival in order to do some shots with Peter, Bjorn and John. He put them in deck chairs eating ice creams if I recall correctly, and his submission featured in the next issue. Kind of serendipitious, I reckon.
Anyhoo, long story short, we were belatedly launching our cunningly-titled album 'IV' at the gig and decided to do a chronologically-based set list starting with the first song we wrote and finishing some hour and a half later with the most recent. Since there's a fully-automated 69-track digital studio right there it seemed a shame not to record the whole thing for posterity, and once the engineering voles had cleared enough space on the hard drive (in the old days we'd just have taped over someone's precious once-in-a-lifetime, life-savings-consuming two inch demo master tape and left them weeping at their inability to cough up the £50 required to preserve it for a month in storage, but then I suppose that's progress for you) that's what we did.
In the great tradition of epoch-defining live albums (I'm thinking All The World's A Stage, On Your Feet or On Your Knees, or perhaps Showaddywaddy's Live in Germany) we'd now like to put the recording of the gig out as a CD or download or somesuch. Which is where you come in.
We have decided to employ the phenomenon of crowdsourcing (as opposed to crowd surfing - that didn't go so well that one time, but then I blame the supper club-style seating plan) to provide some lowly sound engineer with the means by which to both feed his family and to be able to afford the electricity required in order to be able to switch the studio equipment on for long enough to be able to fix that sloppy tuning in the second number and put enough EQ on the audience mics that we don't have to use the second-hand crowd track from The Adicts' Rockers Into Orbit. I hear we're going to leave in that bit about percussionist Mick Harding being able to kill a bear with his man hands.
Here's a link to the Kickstarter page, which details a number of enticing packages that you can invest in, and which also features a short video explaining our predicament vis-a-vis finance in which I end up threatening Our Glorious Leader with a battery powered drill. Yes, it's safe, it's very safe, it's so safe you wouldn't believe it.